The clock, which is only 23” high, has the original brass works and engraved brass face. A rare original bittersweet orange stained 19th c.
Many of the sold lots are going on public view. He had long wondered if the piece still existed. New woven patterned cotton check fabric backs. Vintage unused gold-yellow cotton fabric backs.
Vintage unused velvet-chenille fabric backs. Vintage unused woven white and gray striped cotton fabric backs. Vintage unused woven black and grey cotton fabric backs. Shaker side chair features a caned seat and an old mellow varnish. Except, of course, when the table is on the road, gracing some museum exhibition. The collection is not huge—fifty to sixty pieces, no more than a hundred even if you count all the objects in sets, such as the eight dining chairs, separately.
But it is more than just the quality that sets this collection apart. Creating such assemblages is exciting and satisfying, but what these particular collectors have done has required investing their lives as well as their funds. Here and there, though, bits of history have survived in this collection. Sometimes the pieces themselves tell the stories. There is a table with legs that unscrew so that the whole can be folded up. and there are mysteries—the blanket chest over drawers in the downstairs hall, for instance (Fig. Why was an extra small locking drawer pieced into the front panel?
What caused the craftsman to rethink his work?
Shaker chest over drawers; the piece is unique. Certainly, there is something strange about an auction where people bid hundreds of thousands of dollars for a table or desk that was never intended to have an owner. That candlestand, the brother pointed out, was where he put his watch at night. So disturbed was he by the thought that the candlestand might be removed, he screwed one of its feet to the floor. For him, it was a matter of function: that was where he put his watch. Its famous simplicity and graceful functionalism was, after all, no accident. Their furniture’s style was a reflection and an enhancement of a philosophy of living that was deliberately spare, honest in its avoidance of superfluous decoration, and selfless.
You built not to flatter a custo-mer but to satisfy a collec-tive need. Because work was a form of worship, the joinery was not hidden. Rather, you crafted it so perfect-ly that the joinery became a chief beauty of the product. Such a chair may not provide as much support for your back, but from a certain perspective, that is an advantage. One of the collectors says that when he comes to this table, he thinks of the elders who used to gather around it to direct their community.
You could consider the difference between what the other dealer could have charged and what he did, the price of his tuition. Amortize that over a two-hundred-year lifespan. Members offer insights, ideas, and sometimes better photos.
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We conduct our business personally from our website. As always, our emphasis will be on quality and the needs of collectors. Shaker communities, but it is becoming increasingly difficult to find good things. It was undervalued for so long that where prices are concerned there is much catching up still to come. Get journalism built for thinkers like you.
We have been building slab post and rung benches for 15 years. They typically get finished with a bold color to take them to a modern, contemporary place. The tall ladder back armchair, has a shawl rail to the top with a. Simple bench constructed of oak and pine. The steam-bent arch is connected with brass pinned lap joints and the base of. This bed combines inspiration from shaker furniture with modern proportions. Reminiscent of shaker or early frontier furniture. The slim profile and slightly shaped and tapered legs lend an elegance to the piece. All wooden construction in cherrywood with ebony pegged joints, durable finish for daily use.
Fresh to market Shaker furniture headlining two part sale
This is great for fruit, cheeses or keys catcher. In shades of red, orange, green, grey and black. These boxes are pleasing to the eye and the hand. They were typically made in more than a dozen different sizes ranging from around two inches long to well over a foot, and many of them were made to nest one inside the other. They are sometimes called “tucked-finger” boxes for a reason that will soon be apparent. All of the rest of the fasteners used to secure the swallowtails are wooden pegs. And sixth, a number of these boxes are decorated or have remnants of decoration. The extra effort of inserting the ends of the swallowtails into the box rims suggests that the makers did not fully understand that this was unnecessary to make the boxes structurally sound. As always, we appreciate observations and comments that might help with a better understanding of the origin of these boxes. Perhaps the name of the author(s)
could be included, as well as the photographers?
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How much is my antique shaker rocker worth?
The vast majority of shaker rockers and chairs are ladder backs with most of the balance being woven cane or fabric backs.
I suspect the forms were copied, modified and altered by a wide array of makers over the many decades of popularity. Your assessment makes sense and we don’t have any documentation on the chair.
You can also consider placement in a regional auction house or addition to a local estate auction as add-ons, which most will generally accept.
You should be aware that most retail dealers will only pay 35-45% of actual estimated value since the items have to have a strong margin for resale and profit, especially in a weak economy such as the world is now in.
The seat was redone about 25 years ago by a museum professional who used the correct authentic strapping. The wood is in pristine condition but it needs to have the seat and back taped as per the original. It is a ladder-back rocker with a very low seat. No finials, minor decoration, pinned together with wooden dowels.
I don’t know if it goes back further than that. The seat has bee upholstered with springs at least 3 times. They truly know what they are talking about, and they actually care about you. They really helped put my nerves at ease. It is nice to know that this service is here for people like myself, who need answers fast and are not sure who to consult. If all of your experts are half as good, you have a great thing going here. Join us for lectures, exhibitions, workshops, and more. Williams desired, occasionally the sound of rolling thunder emerged from one of the galleries. Please support our efforts by making a donation.
There’s no need to pay a fortune in appraisals simply to satisfy your curiosity. If it’s a table, turn it over and look for marks or labels. If it’s a sofa, remove the cushions to look for a tag or label. Most factory-made items will include some sort of identifier. If the saw marks appear to be semi-circular, the piece was probably made using a circular saw after about 1880. If the saw marks appear to be straight lines, the piece was likely made before 1910 using a straight saw. Are they all the same, or do they appear to be cut by hand?
If possible, find a hidden spot on the bottom or back of the furniture to test the finish. Dip a cotton swab in rubbing alcohol, and rub it gently on an inconspicuous surface. Even today, silver-plated picture frames and other decorative items are popular gifts. There are several steps involved in identifying an antique. From there, examine all the patterns made by this manufacturer, and match one to yours. If it’s more than 50 years old, you have an antique. On many pieces, you’ll find a maker’s mark stamped on the bottom of the dish or plate. Most of the time, it’s simply a matter of examining the piece. Look at the first few pages of an antique book or the back of a picture. Examine the fine print for etchings and newspapers. Often, you’ll see the date of the printing right there on the piece. If not, you can use other markings as clues.
In Search of Shaker Antiques
Consult local history books or business history resources at your library to find out when this printing company operated. Examine the toy to see if it appears to be handmade. Prior to the industrial revolution, most toys were made by hand. If your toy looks carved or hand-painted, it could be old. Check to see if the toy has any labels or identifiers. This can help you like it to a manufacturer so you can determine its age. Sometimes, an object, such as a buttonhook, may not even be used today. While a few things are still handmade today, this can often point to an antique. If you’re having problems identifying your object, one of these resources may help. Take your piece to local antique dealers and auctioneers to see if any of them are able to identify it for you. If the item is large, take pictures to bring with you. If there is an antique show in the area, take the item there. In addition to the dealers that may be able to help, there is often an antique appraiser at the event offering free appraisals. Check for appraisers in your area, and call them to see if they can help for free. Any information they tell you will be informal, but it can help you identify your piece. If your library doesn’t carry this book, you may be able to borrow it through inter-library loan. Other members of the community will then help you unofficially identify your object. You’ll find lots of photos and information about all kinds of antiques. The more you know about an item’s history, the more you will appreciate its beauty. They also practiced celibacy and a cooperative lifestyle, one in which all property was jointly owned. But they soon simplified these neo-classical lines even further, to an almost ascetic degree. Legs are delicate and straight; they may be square or round, often tapered or with a gentle swelling in the middle. There are either no feet or extremely simple bracket feet for case pieces; cylindrical, arrow or pear feet are used for chairs and tables. Prominent fasteners include hand-forged nails and double-pins. Furniture is often painted or stained yellow, orange, dark red, or green—colors that don’t show dirt. Tables had drop leaves and legs that unscrewed.
Chairs, racks, and cupboards were built to be hung on pegs. Furniture is not without decorative elements, but the decoration is actually part of the structure of a piece. Characteristic features include long ‘finger joints,’ large, plain, button-like or ‘mushroom’ knobs; and wide slats across chair backs. However, regional differences did develop. After that, the pieces began to evolve, growing more colorful and even reflecting contemporary styles which can help to date them. There’s an increased use of contrasting light and dark woods. Woven cloth tapes, made of colorful fabrics arranged in checkerboard patterns, replaced the caned backs and seats on chairs. Pieces are varnished to accentuate wood grains. Large pieces in good condition can fetch prices in the five and six figures. As with any item of scarcity, prices for good baskets have increased as interest, and hence demand, has increased. Often in the area of basketry, a lack of specific knowledge on the part of the seller about the provenance of the piece can cause the price to be unintentionally over-inflated or underestimated in relation to what the basket’s true value should be. With sophistication comes a more defined price range. So today’s high price may take many years to catch up with the basket’s actual value. Are the handles uniformly shaped and their wood joinery done with precision?
Just as there were many 19th-century furniture makers, silversmiths, and clockmakers, there were also many makers of baskets. It has the maker’s familiar “touch marks” that makes it distinctive. These baskets all have a distinctive rim profile, swing handle style, and a pushed up bottom. They also have a distinctive start and stop loop in the weave. There is a sameness of regional materials, sizes, and shapes to these baskets. These were the baskets used for much of the outside work in the fields and barns in the village. That means they were made for a particular use. They were used in the dairy for cheese making, carried to the washroom with clothes, to the garden for picking and sorting, and to the attic for drying. They were multipurpose, usually made from heavier material, and were bulkier. The same aesthetic standards can be seen in the fancy baskets that are in their counterparts, the working baskets. The fancy baskets were always small (under eight inches) as they were sold as curios and brought home as gifts. Exceptions to this were the sewing basket and the quatrefoil tub styles that were larger. Baskets are the same, once you have learned their language. American-made basket can carry our heritage, our history, and our pride. Shaker working baskets were based on traditional forms and techniques, but their makers showed exceptional care in their creation. The six-inch by two-inch mini marvel was in excellent condition and had a clear provenance from a noted collection. It also had its original chrome-yellow finish. Learn how your comment data is processed.