Whether Your Personal Hurdles Lie In The Kitchen Or The Tree Lot, We’Ve Run Through The

One such work is from the Young Projects Gallery: a selection of 15 recent films capturing momentary sculptures by the artist Roman Signer. Many of the films from Signer's Pro Temporedemonstrate a cause-and-effect of encounters between Signer and everyday objects. For example, in a series of four film shorts shown on monitors propped on overturned chairs, Signer challenges our quotidian interaction with tables and chairs. Most films involve fireworks: spinning in an chair propelled by flares, launching a guest chair (vacant, naturally) in an empty field and finding cover under its accompanying , simultaneously blasting backwards four chairs from the table setting, and finally, the inevitable slow-fall of a chair towards a fireplace being pulled by a determined winding leash. Each of Signers films clearly express the documentation of his work as a practice. Whether the content relates to a tenet of design is unclear, but the work stands on its own as art, this is in the end, an art exhibition.

The conceptual artist Andrea Zittel's presentation of The Group Formerly Known as Smockshop will certainly satisfy those wanting something to take home from the exhibition. The wares on display are a collection of "functional panels," a series created from a variety of artists and materials that in one state, rest as a closed rectangle. While incisions are acceptable, holes must be closed or covered with another material. Works in the series include up-cycled off cuts from a local felt processing facility turned storage units. Paul Guillemette's elaborately hinged tables collapse into wall art; it is flat-packed that insists that flat is not a dormant state.
Janet Levy curates See Line Gallery exhibit High Task Frequencyby artists and sculptors Dewey Ambrosino, Taft Green and Jason Yates. Green's The attention you deserveis a finished armature of furniture constructed from industrial materials (rebar and cast concrete). The piece commands a large footprint while remaining visually light -- presumably providing the space that the two seated deserve. Seed Syllableis an inviting mixed media installation of warmly lit "seed pod" lamps, a short table and stools reminiscent a bygone tea party spent under the canopy of trees. Yates' visuals tie the gallery exhibition together, creating patterning that is both orderly and a welcome distraction.